Film Review: Inside Out
Life of Riley
When it comes to my final countdown of this years’ best and brightest movies, at least two films within that list will be that of an animated pedigree, with the first being the wonderful Song of the Sea, released only two weeks ago, which proved to be one of the most blissfully entertaining and emotion rattling films that I had seen so far this year with gorgeous visuals, a simply gorgeous design and a soundtrack that rivals any classic musical companion to date. The second on that list however, without a doubt, will be this weeks’ new Disney Pixar release, Inside Out, a film so masterful in reaching all its’ cinematic targets and avenues that it begs the question whether Disney can ever outdo itself ever again in creating a film that not only touches the heart, but touches the mind too with concepts and ideas that are set to bring a overarching sense of joy out in everyone, even if they are too stubborn to admit it.
The story of Inside Out focuses on the life of young Riley Anderson and her five manifestations of emotions that reside within her mind who control the way in which her life is run, whether it be saving memories of joy and happiness, creating islands of Riley’s personality or just finding solutions to day-to-day problems and situations young Riley finds herself in. Of these emotions, Joy (Voiced by Amy Poehler) believes the best way for Riley to live her life is to constantly be happy and only resort to the other emotions of either Disgust, Fear, Anger and Sadness if completely necessary, yet Riley and her emotions are turned upside down when she is forced to relocate from Minnesota to San Francisco, resulting in a range of stark changes that set Joy and co. on a wild quest to adapt to their inhabitants sudden and relentless changes. From the plot synopsis alone, it is obvious that Inside Out is a movie that can be related with by almost everyone and anyone, regardless of age, with the youngest audience being there for the gorgeous visuals and design, the high comedic and slapstick output and relationship to the character of Riley, whilst the older audience being there to enjoy the relationship between Riley and her parents, helped by a deep understanding of the films’ main idea that growing up brings with it a rafter of changes, both physically and mentally.
Of the many positives within the film, the simple, yet brilliant concepts that continued to pop up were astounding to behold, with trains of thought, islands of personality, imaginary friends and subconscious fears all being expertly designed, resulting in a roller-coaster ride of emotions with moments of sheer sadness, uplifting joy, and an overall sense of wonder that the film willingly creates. For example, one young girl in the cinema showing I was in actually broke down in tears during the film and although I was never going to follow suit, I have to admit, there were times my tongue was being well and truly bit, particularly in regards to the final scene of Riley’s imaginary friend, Bing Bong. I’m such an emotional wreck. These collage of magical elements that encompassed Inside Out throughout its’ runtime results in making the film not only one of the best of the year, but a true Disney Classic, one of which will live long in the memory of all that choose to watch it.
Overall Score: 10/10
Posted on 27/07/2015, in Film & TV, Reviews and tagged 3D, Amy Poehler, Bill Hader, comedy, Computer Animated, Diane Lane, disney, Disney Pixar, drama, entertainment, Film 2015, Film Review, Inside Out, Kyle MacLachlan, Pete Docter, Pixar, review, walt disney. Bookmark the permalink. Leave a comment.