Film Review: The BFG
“Never Go To The Window, Never Look Behind The Curtain…”
Who doesn’t love Roald Dahl? Not only have countless cinematic works been based upon his literary catalogue over the course of over half a century, but his presence is still continuing to this very day, with Hollywood understanding that re-imaginings and reboots of his works on the big screen will always guarantee to bring in the masses, whilst hardcore Bond fans will know his influence on the script for You Only Live Twice, the first Bond film in which we see the ominous presence of Donald Pleasence’s Blofeld and his evil looking Persian cat. Anyhow, this time around it’s The BFG which gets the reboot treatment, directed this time by Steven Spielberg and continuing the successful collaboration of Bridge of Spies by placing Oscar winner Mark Rylance in the lead role. Whilst the CGI and design of Rylance’s titular BFG is a fantastic achievement in itself, the film as a whole is one that is surprisingly mediocre, one in which suffers from a wide range of pacing issues, a yawn-inducing first half and a lacklustre plot thread based around the intent of our beloved heroine, Sophie.
Although Spielberg is a director whom I appreciate highly, The BFG is a surprisingly empty and rather shallow fantasy, one that focuses entirely on the structure and creation of Rylance’s BFG and seemingly forgets to include any real sense of direction whatsoever. Beginning with a first act in which we are taken to Giant Country, the film descends into a rather slow slew of tedious pacing issues, in which the introduction of Rylance’s character is overshadowed by such and subsequently becomes something you quickly get bored with. After a good drawn out 90 minutes, the film does improve when we are taken into the halls of Buckingham Palace, a final act which seemingly woke up the entirety of the audience in my particular screening, with the laughs and quickfire jokes swiftly erasing the pain of the film so far before it. With Spielberg at the reigns and Rylance in command of his beloved character, The BFG should have been something spectacular. Instead, Spielberg’s latest is surprisingly mediocre, a word rarely associated with talent of such a kind.
Overall Score: 5/10
Posted on 28/07/2016, in Uncategorized and tagged Adventure, Bill Hader, fantasy, Film 2016, Film Review, John Williams, Mark Rylance, Penelope Wilton, Rafe Spall, Rebecca Hall, Roald Dahl, Ruby Barnhill, Steven Spielberg, The BFG. Bookmark the permalink. Leave a comment.