Film Review: Kong: Skull Island
“It’s Time To Show Kong That Man Is King!”
As per the new craze of recent cinematic ventures, the newest big-screen franchising exploration comes in the form of classic Hollywood monsters being revamped and reissued in Legendary Entertainment’s so-called “MonsterVerse”, beginning of course with Rogue One director Gareth Edward’s excellent Godzilla in 2014 and continuing this week with Kong: Skull Island, a “re-imagining” of the infamous giant ape who graces the big-screen for the first time since Peter Jackson’s take on the character back in 2005. Helmed by The Kings of Summer director Jordan Vogt-Roberts, as well as featuring arguably one of the best casts of the year with Tom Hiddleston, Brie Larson, John Goodman and Samuel L. Jackson all vying for screen time, Skull Island is the type of movie which justifies the existence of IMAX-infused mega screens, with the trailer alone being rife with a heightened sense of spectacle and splendour. As for the finished article, Skull Island is indeed the silly, OTT monster-mad movie I think many were expecting without ever pushing the boundaries of being anything more than such.
Light on characterisation yet heavy on the spectacular at times, Skull Island is inherently silly from beginning to end, with a runtime which feels almost half the length of Peter Jackson’s epic adaptation but too feels completely different in tone, relying on the effects-heavy production of giant spiders, murderous “skull-crawlers” and of course the titular Kong himself rather than any meaningful contribution to fleshing out its’ leading stars in a manner which took up the first hour of Jackson’s movie back in 2005. Helping the film along in its’ choppily edited fashion is the rip-roaring sound of the 70’s, with a soundtrack which ranges from Black Sabbath to David Bowie. evoking the shadow of a film like Apocalypse Now, an argument particularly obvious due to Skull Island’s Vietnam War setting, whilst the CGI-fuelled monster-battles feel almost too much like a Jurassic World rip-off at times to be put in the same league of jaw-dropping splendour as its’ predecessor within the same cinematic universe, Godzilla. Much likes its’ titular ape, Skull Island is a big and fluffy piece of escapism which knows what it wants to be and doesn’t attempt to be anything more. Yeah, that’s right, Kong is very fluffy. Well, sort of.
Overall Score: 7/10
Posted on 11/03/2017, in Uncategorized and tagged action, Brie Larson, Corey Hawkins, Film 2017, Film Review, Jing Tian, John C. Reilly, John Goodman, Jordan Vogt-Roberts, Kong: Skull Island, monster, samuel l jackson, Toby Kebbell, Tom Hiddleston, Warner Bros. Bookmark the permalink. Leave a comment.