Film Review: Long Shot
“I’m Going To Try And Conduct Myself In Such A Way That Does Not Risk Global Humiliation…”
Mixing together the almighty and Oscar winning talent of Charlize Theron (Mad Max: Fury Road) with erm, Seth Rogen, (The Interview) Long Shot is the latest from American filmmaker, Jonathan Levine, who reunites with Rogen after their work together on the 2011 comedy drama, 50/50, for a romantic comedy which attempts to balance political and social satire with a well-worn tale of unlikely and improbable love. Based around a screenplay from the double-act of Liz Hannah and Dan Sterling, famous for their individual work on the likes of The Post and The Interview respectively, Long Shot is that rare sight in contemporary cinema, an American comedy which actually works, and whilst the central romance at the heart of the story does indeed venture into gargantuan levels of cliche come the end of the almost two hour runtime, Levine’s movie works predominantly elsewhere, with a mix of knowing, and at times, strikingly unintentional, modern-day satire, pleasantly supplementing a likeable and utterly charming core relationship, one which gleefully bursts with volcanic levels of chemistry and pushes the final product into something which although might not be at all memorable, is rather enjoyable.
Coined in the trailer by one of the film’s supporting actors, the one and only, O’Shea Jackson Jr., (Straight Outta Compton) as having a very familiar central narrative to that of Garry Marshall’s 1990 classic, Pretty Woman, Levine’s movie at least jumbles up the profession of the leading characters, with Seth Rogen’s Fred Flarsky not exactly the first person to come to mind when it comes to the prostitution business, with him instead being landed with the role of an idealistic, rough-edged journalist with a penchant for thinking out loud, a character trait of which soon finds him unemployed and penniless. Enter Theron’s Charlotte Field, the highly popular Secretary of State with eyes for the presidency who in her earlier teenage years used to babysit a young and lovestruck Flarsky, and the two suddenly reconnect after Field utilises Flarsky’s innovative written word to boost her appeal to the American public. With worldwide trips on the menu, the two suddenly become attached to each other by the hip, resulting in the film’s central and heartwarming romance, and with an abundance of hilarious set pieces, including one of the best inverted sex scenes in cinema history and a heavy night on the town which results in a majorly mistimed hostage negotiation, Long Shot goes along way to make you care for the film’s characters, and even with a runtime which does slightly drag come the final act, Levine’s movie is a solid slice of American comedy cheese with added Charlize Theron.
Overall Score: 6/10
Posted on 04/05/2019, in Uncategorized and tagged Alexander Skarsgård, andy serkis, Bob Odenkirk, Charlize Theron, comedy, drama, Film 2019, Film Review, Jonathan Levine, June Diane Raphael, Lionsgate, Long Shot, O'Shea Jackson Jr, Seth Rogen, United States. Bookmark the permalink. Leave a comment.