“Even If There’s A Small Chance. We Owe This, To Everyone Who’s Not In This Room, To Try…”
With the final season of Game of Thrones gracing eager audiences earlier in the month, April 2019 will always be remembered as the time in which pop culture exploded into realms of unprecedented greatness as society witnesses the end point of both TV’s most talked about show and of course, the enormously anticipated, Avengers: Endgame, the latest chapter in the Marvel Cinematic Universe and the sequel to last year’s excellent and groundbreaking, Infinity War. Presented as the final installment in the Kevin Feige coined, “Infinity Saga”, which began all the way back in 2008 with Iron Man, Endgame sees our grieving band of OG superheroes come to terms with, and more importantly, attempt to revert the catastrophic damage caused by Josh Brolin’s (Deadpool 2) megalomaniacal titan, Thanos, in the previous chapter, and with the giant purple one’s tricky finger snap having gone down in pop culture loire for evermore, the bar is set impressively high for a sequel which Marvel themselves see as the one film the entire MCU has pretty much been leading up to. Bamboozling critics and audiences alike with a staggeringly long three hour run time, it’s fair to say that in terms of excess, Endgame laps it up completely, and whilst anything stamped with the Marvel branding tends to be absolutely critic-proof, what an absolute pleasure it is in being able to confirm that Endgame is everything that it should be and more, an emotional, bizarre and thoroughly engaging and entertaining cinematic blockbuster which manages to effectively balance spectacle with narrative payoffs, resulting in a closing chapter which beautifully reinforces the idea that what Marvel have done will never ever be executed quite as brilliantly ever again in the history of cinema.
Heading in, it’s quite important to note that Endgame is not in anyway Infinity War part two, and whilst expectations and fan theories always affect judgement on the final piece, the fact that I’ve now watched Endgame twice goes to show that the fourth Avengers piece is not just another movie, in fact it’s almost too much of a movie, a three hour long comic book dream which expects its’ audience to be synchronised with every in-joke, every knowing aside and be able to recount what happened where and at what time in each of the preceding twenty one MCU chapters. If part of this selective band of followers, then Endgame seeks to provide as much fan service to you as humanly possible whilst crucially still understanding the fundamentals of filmmaking by biding its time with an opening act which seeks to show the effects of Thanos’ snap, one which impressively highlights melancholic tales of loss, depression and guilt, resulting in some of the most impressive writing I can remember seeing in a superhero film since The Dark Knight. With the PR team for Endgame deserving their own round of applause for brilliantly being able to manage not spoiling anything at all, pretty much everything seen in the film’s trailers either occurs during the opening thirty minutes or not at all, and whilst particular narrative choices are expected from fans with more observant qualities to their Marvel addiction, the fact remains that in order to enjoy Endgame‘s many shocks and surprises you must simply head in not being aware of anything, with one of the film’s many joys is being able to gasp, cry and fist-pump your way through the action with an audience who are as dedicated to both the characters and the franchise as you undoubtedly are, if not more so.
At three hours long, the fact that Endgame did not feel as if it was testing any sort of patience at any point is a remarkable feat in itself, with both the pacing and the editing serving the action rather splendidly in a way that only the best filmmakers can successfully manage to balance, and whilst at times particular characters seem to be slightly wasted or criminally underused, such a complaint is particularly minor and in a way obsolete, with the primary mission of the piece clearly offering the chance to serve conclusions to characters who have been with us since the start and being well aware that for the new breed, the future is both bright and holds their own tales ready to be told and explored as we head into the franchise’s new phase come the end of the year. With enough hilarious dialogue and slapstick performances to put most so-called comedies to shame, Endgame deliciously plays into the Marvel mould we have both come to know and love, and whilst the balance between light and dark never fails to hit the solemn, gritty realism of Logan, the emotional payoffs of particular character arcs will leave even the most cold-hearted of sociopaths in floods of tears as they come to realise that characters in which their time has been spent with for just over a decade may not be ever seen again, in this universe anyway. When it comes to reviewing Endgame, what Marvel have ultimately achieved is unprecedented in the realm of cinema, twenty two movies across eleven years and all leading to a conclusion which is worthy of both the hype and anticipation laid upon it, and in some way, just being part of such a magnificent journey is reason enough to fall in love with a movie which will not only make it difficult to look at any future superhero movie in the same way, but is in some ways a love letter to fans whose dedication and desire have ultimately made such a dream come true.
Overall Score: 9/10
“When I’m Done, Half Of Humanity Will Still Exist. Perfectly Balanced, As All Things Should Be…”
Following the release of Jon Favreau’s Iron Man exactly ten years ago, the culmination of plot threads, narrative developments and vast array of characters which have encompassed the Marvel Cinematic Universe since then have all led in the direction of Avengers: Infinity War, the latest gargantuan superhero romp which sees each of the major Marvel characters of the past ten years come together and join forces in order to thwart the oncoming threat of Josh Brolin’s (Sicario) ominous Thanos, who vows to collect each of the Infinity Stones, six immensely powerful alien artefacts, in order to bend the universe to his evil and genocidal will. With the hype train well and truly steaming ahead, the anticipation for Infinity War is unprecedented within the realms of superhero cinema, and with a extensively star studded cast list and the directing duo of Anthony and Joe Russo at the helm, whose previous credits of course include Captain America: The Winter Soldier and Civil War, expectations from audiences and critics alike are resoundingly off the charts. Thankfully, what the Russo’s have manged to achieve with Infinity War is a staggering, operatic work of spectacle and heartbreaking drama, a film, which on paper had no right to succeed, but has somehow resulted in the most rewarding, magical and downright jaw-dropping Marvel superhero experience in the MCU so far.
With two and a half hours worth of plot to dissect, Infinity War essentially breaks down into a quartet of individual narrative channels, with Earth being the base for the character band lead by Chris Evans’ Steve Rogers, space being the battleground for both the Guardians of the Galaxy subplot and Robert Downey Jr.’s Tony Stark own personal quest, and the entire universe being the backdrop for Brolin’s Thanos who travels from planet to planet leaving behind a cold, calculated and murderous path as he collects the all-powerful Infinity Stones. With the MCU struggling in the past to effectively conjure up groundbreaking and well-rounded villains, the introduction of Thanos follows in the footsteps of Black Panther‘s Killmonger by refusing to bow down to simply cannon fodder for superhero stardom and instead is the surprising central character of the piece, with the script superbly managing to highlight the character’s genocidal plan with some degree of purpose whilst at the same time introducing flaws and elements of empathy, particularly in the stand-out conversations between himself and Zoe Saldana’s Gamora. Of course, with purple CGI muscles, a band of merry followers known as the Black Order and the Infinity Gauntlet in hand, the real power of the character is evidenced to an alarming degree too, with surprising character deaths by his own hand and a dedicated reluctance to fail, resulting in explosive action set pieces which both never seem to outstay their welcome and a include too a perilous sense of threat for everyone involved which the franchise up to now was thoroughly lacking.
Of course, with so many characters and so little time spared on deep characterisation aside from the film’s leading antagonist, particular individuals do become somewhat by-products of a larger endgame, particularly those involved in the drama taking place on Earth and specifically, Wakanda, but with eighteen previous stories worth of backstory and development behind it, Infinity War isn’t designed to further character arcs and instead is there to tie up the development already achieved and offer long-awaited fan service for which it undenaibly achieves. Whether it’s the banter fuelled dialogue between Tony Stark and Benedict Cumberbatch’s Doctor Strange or the egotistical match-up between Chris Hemsworth’s Thor and Chris Pratt’s Star-Lord, amidst all the grandiose drama, Infinity War still manages to hold onto the razor-sharp comedic puns the franchise is renowned for without ever feeling cheesy or stupid enough to lose its’ dramatic edge, and whilst the best moments are undoubtedly in the other-worldly realms in which Downey Jr. and Pratt are present, the film as a whole balances its’ monumental premise with staggering ease. Of course, with Infinity War only part one of a much bigger design, there is a resounding sense of payoff not yet being ripely achieved, but with a ground-breaking, melancholic and brazen concluding scene which rips up the cinematic blockbuster rule book completely, the year long wait for the concluding chapter is of course undeniably agonising, but one which if continuing the success of Infinity War, will undoubtedly be an experience to savour.
Overall Score: 8/10
“He’s A Good Person. He Wanted Me Before I Was Smart…”
Aside from making moves in the Marvel Cinematic Universe as Captain America, Chris Evans is very seldom seen in other visual ventures between the criss-crossing of fighting Tony Stark and aiding the woes of Bucky Barnes, and whilst this week’s release of Gifted is a far stretch away from CGI-fuelled mayhem and size-bending superheroes, the charismatic manner of the Hollywood star is indeed a welcome sight in a drama which allows Evans to convey his acting abilities and prove that muscle mass and tight rubber pants are not the only thing he feels comfortable doing. Directed by Marc Webb, a director renowned for the indie sensation which was (500) Days of Summer but probably best known in the geek world for the very good The Amazing Spider-Man and the not so good 2014 sequel, Gifted is a charmingly grounded family drama, one which includes a zippy and snappy narrative rife with effective comedic dialogue and tropes, and too a film which although could be classed as a good example of emotive manipulation, offers good enough reasons to bypass the saccharin sweetness at times and just enjoy the ride whilst it lasts. As the great Roger Ebert stated, “Some people like to be emotionally manipulated. I do, when it’s done well”.
Focusing on the one-two uncle and niece duo of Frank (Chris Evans) and Mary Adler (Mckenna Grace), Gifted begins primarily by setting the scene of the drama which is set to unfold, with seven year old Mary attending school for the first time and becoming increasingly noted for her outstanding mathematical abilities and street-wise nature which extends way past each and all of her similarly aged peers. At the heart of the narrative too is both the kind-hearted and softly spoken first-grade teacher Bonnie (Jenny Slate) and the Cruella de Vil-esque character of the piece, Evelyn Adler (Lindsay Duncan) who interrupts the peace and tranquillity of Frank’s quest for a normal life in order to fulfil her own petulant and wholly selfish commemorative wishes, using Mary as a pawn in a proceeding tale of family breakups and legal scaremongering, all in a quest for Evelyn’s view of the greater good. Whilst both Mckenna and Evans give both incredibly charming performances, using the great chemistry between them effectively within an array of heartwarming comedic scenes which focus on the innocence of youth and the hardship of fatherhood, Gifted does suffer from a rather overly ripe shiny-happy-people ending and the inclusion of Duncan’s steely-eyed antagonist does come across as slightly too boo-hiss at times to feel a natural fit for the overall feel of the movie. Webb knows how to do the mis-fit, slightly kooky comedy drama well, and whilst Gifted isn’t as flashy as (500) Days of Summer, it sure worked for the most part in which I was emotionally invested with its’ loving, leading characters.
Overall Score: 7/10
“You’ve Operated With Unlimited Power and No Supervision. That’s Something The World Can No Longer Tolerate…”
Being in a time of comic-movie mayhem, where every year there seems to be more and more live-action superhero goodness, or blandness in the case of Batman v Superman, Captain America: Civil War, the third in the Captain America saga within the Marvel Cinematic Universe, could be forgiven as being just another piece of the everlasting jigsaw, an attempt perhaps to grab the cash while they can before the riskier projects come to fruition, particularly with the ambiguous Doctor Strange on the horizon, yet with a character list that basically includes almost everyone and anyone associated with the MCU, Civil War was an interesting case of whether one, it could be as poorly executed as BvS, a film with similar parallels in terms of plot and overarching themes, and two, whether the extensive cast list would endanger the film into becoming overtly baggy and long-winded. What a joy it was then to witness the best superhero movie of the year so far, with Civil War only continuing the promise of the Russo Brothers’ work on The Winter Soldier, with it being a marvellous thrill ride from start to finish, if not being as crisp and spellbinding as the previous entry on first glance.
What makes the film so great I hear you ask? Firstly, It’s cool. I mean ridiculously cool. A fanboy’s dream indeed featuring bad-ass coolness throughout. Acting? Superb and on point, particularly from Downey Jr, Evans and a stand-out newcomer Chadwick Boseman as the rip-roaring vigilante Black Panther whose brief back-story element leaves the standalone movie to do the hard work and for Civil War to show how brilliant he may become in the future. Action? Breathtaking, with the Russo’s having a clear and dedicated vision of attempting to make the fight scenes as realistic as possible with choreography that could make the creators of The Raid weep in joy. I mean seriously, both Captain America and The Winter Soldier in this were just rock solid to a laughable extreme that at times I just sat and gasped at the speed to which the action scenes took place. Clearly, someone at Marvel HQ had been watching Daredevil and thought, yeah, this is the direction we need to go. What a decision it is, with the ground-based fights making the last two Captain America’s arguably being the best in the series so far.
Although rather ironically, Civil War does feature plot lines remarkably similar to BvS, the connections between the two films stop there. This is how you make a superhero movie Mr. Snyder, this is true, full-blooded entertainment. Although slightly too long in places and the almost inevitable fact that some characters just some rather shoehorned in for the sake of it, particularly that of Paul Rudd’s Ant Man and Martin Freeman’s character, endanger the film in becoming not quite as good as The Winter Soldier, the film’s saving grace belongs to it’s final twist, one that was not given away so easy and one which created the real civil war between our two leads at the conclusion of the film after the comical, if rather splendid, battle between our two teams within the confines of a empty airfield. Captain America: Civil War does what it needs to do and does it superbly. Richly entertaining and breathtaking in places, the Russo Brothers have my complete and utter backing for the behemoth of a project which is Infinity War. Good luck to you gents, my faith is completely in you. And oh yeah, wasn’t Spider-man cool?
Overall Score: 8/10
It’s that money-making, mind-blowing, blockbuster time everyone and with the simply unbelievable performance of Furious 7 over the course of the past few weeks, where I believe it is now into the top ten of highest-grossing films EVER (Seriously?), it is time for Avengers: Age of Ultron to firmly push it, and many others in the top ten, out of its place. In terms of the money-making side of movies this year, one of the conundrums of 2015 is what will take more; Avengers or Star Wars? After watching the latest addition to the MCU however, I think the one true question is whether they will match each other in terms of quality. After returning from the midnight showing on Thursday morning, slightly knackered but still rolling on, I think it’s fair to say that Star Wars has a lot to live up to. Avengers: Age of Ultron is pretty fab.
The real winning formula of the first Avengers movie was that each and every character got their own decent share of screen time, and although Downey Jr. and Hiddleston as Iron Man and Loki respectively, were the stand out performers, not one of the actors and actresses in such a huge ensemble cast felt left out in any way. Fortunately for Age of Ultron, this formula is pretty much adhered to, even with the inclusion of a bunch of new characters, where, sloppy Russian accents aside, Olson and Taylor-Johnson as Scarlet Witch and Quicksilver are a fantastic addition to the MCU, whilst Bettany’s portrayal of The Vision was a wonder to behold, although there should have been a rain-check on that cape. No capes. Top marks for best newcomer however has to go to big baddie Ultron, magnificently voiced by James Spader, who walks away with the award for best CGI robot-thing in a MCU film so far, not only due to the stark realism of the characters’ presence on screen, but because Ultron felt like a proper character, someone who you could believe in, and someone you felt afraid to the bone of, something of which is rare in a lot of CGI characters.
With the first Avengers being one of the standout pictures in the MCU, Age of Ultron kind of needed to change direction, if only slightly, in order to sway away from the dreadful curse of being only “more of the same”, and the way in which Whedon and co. have decided to do this is to make Age of Ultron a much darker film than the first. Yes, the banter between the team is still rife as ever, but the darkness stemmed from Ultron himself, who came off as a much more cold and malevolent presence than I ever thought Loki was, as brilliant as he is as the bad guy of Asgard, to the whole sterialisation story of Black Widow, which was pretty damn depressing to say the least. In the case of Age of Ultron, the step into the dark-side worked and the threat of impending doom was always there, particularly in the final battle, cemented with the death of one of the supposed key characters of the Avengers, which although was teased throughout the film, had a sickening, yet cleverly finessed, twist to cap it all off.
Yes the film does have faults. The whole MCU cross-ins and cross-overs, mixed with interwoven stories and plot points would obviously be confusing to the lay movie watcher who just happens to have not seen any of the previous installments and decides to watch Age of Ultron, but my question to that person would be, why watch it without seeing at least the first Avengers previously anyhow? Even as a keen follower of the MCU (not the comics however), even I at times tend to get lost and confused regarding what Infinity Stone is what, who is where etc. etc. so the level of confusion for someone oblivious to the stories previous is going to pretty high. The film also had an awful knack or rushing certain plot points, with it sometimes just resorting to another jumping, action, blowing up scene, which is always good fun, but seemed a bit too much at certain points. I mean, don’t even get me started on what Thor did at the pond thing. I have no clue whatsoever. My usual moan of runtime however, cannot be adhered to this time, with the film’s 140 minute runtime surprisingly flying past, something of which hasn’t happened since last years’ Interstellar.
So in conclusion, yes, the film does have flaws, but the positives overwhelmingly outweigh the negatives, with a stellar cast being put to great use to continue the fun of the MCU which doesn’t seem to be in danger of crippling anytime soon. Is it better than the first? On first watch, probably not, but the beauty of a blockbuster is that there are a ridiculous amounts of chances to watch it again (I think it is showing 30 times a day in my local multiplex) and a second watch is something of which I am looking forward to already. Age of Ultron is a solid and spectacular farewell to the directorial duties of Joss Whedon too, who has supplied the Marvel fans with two of the finest superhero films of all time. Farewell Mr. Whedon. Its’ been emotional,
Overall Score: 8/10
Once again I’m back to feeling half my age, hyped up for the new Marvels’ Avengers: Age of Ultron movie where the cinema staff obviously did not want to calm me down when handing me a free action figure with my coke! But I digress, the film was amazing and was all I could want from an Avengers film, but that’s not to say there wasn’t a few disappointments. (SPOILER WARNING)
Let’s start with the first scene with the Avengers going against a Hydra base. I would have liked a bit of context on how all of the Avengers assembled (LOL), for example, at the end of Iron Man 3, correct me if I’m wrong but didn’t Tony Stark blow up all of his Iron Suits? Yet here he is flying around! Don’t get me wrong, I love Iron Man but just a bit of context would have been nice, unless I missed something.
Now, I don’t know if any of my fellow reviewers here on Black Ribbon watch Marvels Agents Of Shield, but it was awesome seeing Dr List and Strucker, the Hydra Villains at the beginning, which have been seen in the TV show and now appear on the big screen. Having Dr List introduce Quicksilver and Scarlet Witch fitted well with the back story of Agents of Shield, with Hydra kidnapping people with powers.
The interactions, mainly the wit, between the characters were in my opinion top class. The cinema audience laughed at the characters’ banter and gasped at the shock of the Vision handing Thor his hammer which made the film all that more enjoyable to watch. I did enjoy seeing some back story into Hawkeye and Black Widow which was well deserved and did lead me to anticipate one of their deaths but was gladly mistaken. I would have liked some more scenes with Quicksilver and Scarlet Witch where although you get a brief description of them telling Ultron about their past, it felt like there was very limited dialogue between them and the Avengers which I would have much preferred to see.
In terms of the fighting choreography, being an Avengers film I think we all expected some amazing action and I was not the slightest bit disappointed. All of the fights seemed original, well- paced and made full advantage of the surroundings. The combos between the characters were clever, however I would have liked if they mixed up the combination of characters. I lost count the number of times Thor did a combo attack with Captain America.
To me what makes a good action film is a good villain. In the case of Ultron, he is good and has character, despite being a robot. With an understandable motive and evil plan however I was slightly let down. In the trailers he seemed more malicious, giving off an evil Pinocchio vibe giving that awesome line “There are no strings on me” where just thinking about it gets me hyped up! However, in the movie he just felt less impressive but this could be due to him being out-shined by the Vision. I would have liked to see Ultron kill an Avenger with his hands or at least a bit more close quarters rather than random shootings with a helicopter. Sure he cuts off Klaw’s arm but who cares about Klaw? Hardly jaw dropping stuff!
Like every Marvel film there is always a teaser at the end of the credits and this time we see Thanos pulling out the Infinity Gauntlet saying “I will just do it myself”; F*!& yeah! This small clip has got me psyched up like a bat out of hell! I can’t even imagine the amount of carnage which is going to occur, however I am slightly worried about the new Avengers they showed at the end (War Machine, Scarlet Witch, Falcon) as they hardly seem like replacements for their predecessors but maybe I read that entire scene wrong.
I know I have listed many negative points throughout the review but believe me when I say this; I loved it and I’m very much tempted to go watch the film again which for me never happens. I loved seeing the character interaction between the huge roster of heroes with all of them getting a fair amount of screen time whilst the action scenes were creative and fast paced whilst showing constant humour, and all of this is setting up for another huge film in the future with Thanos. I’m sure most of you will go see this film regardless, however for those on the fence, go see this film!
Overall Score: 8/10
I have returned from the dark depths of university deadline season with only a few mental scars. So yeah, expect plenty of content over the next few weeks until I get slapped with another essay and a few exams…
Just a quick shout out, don’t go announcing a 3rd film before the 2nd has even released. You ruin it. So Friday we toddled into the cinema to watch possibly one of my favourite members of Marvel go kick some ass. Captain America is easily one of the most relateable characters within the Avengers with the strongest story so far.
Obviously, you would suspect by the title that the movie is about the Winter Soldier. If you’ve lived under a rock the past few months, it’s Steve’s (Chris Evans) best friend Bucky (Sebastian Stan), you know, the one who fell off the train in the last one. So it turns out he’s not dead and that the movie actually does fuck all with his character. He appears for snippets but in reality he has little change to the outcome of the movie and probably should have called the movie something a little more relevant. Yet, as a story, The Winter Soldier is substantial. Moments, which for any Marvel fans will sit them there in shock. So in reality, Hydra were never defeated. Taking Bucky and wiping his memory and using him as their bitch assassin. Now one of my big pet peeves with the story is that SHIELD sent in Black Widow but told her boyfriend; Hawkeye to do one. Now when it comes to do, Hawkeye is an Avenger and should have been involved!
Compared to other Marvel Avengers, Captain was raised in a war and naturally, you have to accustom yourself to killing some bad people. This has been acknowledged and it truly is brutal. Not smashing them with a hammer or punching them with a massive suit of armour, he’s got a fast pace that is rarely matched and the shift between him and shield is incredibly fun to watch. Then we have Black Widow (Scarlett Johansson) who pretty much climbs all over assailants and then the brand new Falcon (Anthony Mackie) who kinda just shoots people while flying around with these bomb ass wings. However, I don’t think I could ever see Anthony Mackie in a different light after Pain & Gain’s titty milk moment.
I’m not going to bore you with talk of the acting or screen play. We all know that Marvel as a production company nail all the special FX and the actors are not just pretty faces. The Winter Soldier probably stands as one of the best single hero Marvel movie in many years. Even with a few moments that are a little unnecessary, the movie flows quickly with extravagant actions scenes which seem more realistic compared to Iron Man. Although Tony Stark and Hawkeye should have made an appearance, Captain America deserves an 8/10.
PS – Quicky review is to get back into the swing of things, plenty more content on the youtube channel or follow me Instagram and Twitter on the right of the page!