“I’m Putting Together A Team Of People With Special Abilities. I Believe Enemies Are Coming…”
Whilst it may seem that we are now in a world where every month bears witness to oh yet another superhero blockbuster, with Thor: Ragnarok still making significant moves at the box office, the release of Justice League is a particularly interesting beast. With the DC Universe already significantly tarnished to say the least thanks to the likes of Suicide Squad and Batman V. Superman, the release of Wonder Woman earlier this year proved that the series was somewhat heading in the right direction, and whilst the DC universe seems to always be playing catchup to Marvel’s respective ongoing movie franchise, Justice League seems to be the real kicker in deciding the future success of the series as was The Avengers for Marvel, a film whose successes led the chance to delve deeper into the more subversive characters within Marvel’s respective comic history. Helmed once again by long-term DC collaborator, Zack Snyder and overseen for completion by the steady hand of Marvel aficionado, Joss Whedon, Justice League forges together characters both old and new in a popcorn laced team-up tackling the threat of Ciarán Hinds’ Steppenwolf, and whilst one would have hoped the latest addition to DCEU would follow the success of Patty Jenkins’ work on Wonder Woman, Justice League is an unfortunate giant explosive leap in the wrong direction, one which seems to not have learnt at all from the failings of its’ predecessors and that alone makes Snyder’s latest an agonisingly painful botch-job experience of the highest order.
With Superman gone and the world in mourning, Ben Affleck’s grizzy Bruce Wayne seeks to bring together a team of highly skilled superheroes in a bid to defeat the threat of the wholly uninteresting and lifeless Steppenwolf, who like every CGI-based villain in cinematic history, seeks to bring Earth under his apocalyptic control. Adding to the eclectic cast of characters therefore, Justice League brings Ezra Miller, Jason Momoa and Ray Fisher into the fold as The Flash, Aquaman and Cyborg respectively, and whilst it is cheap and easy to compare the DCEU with the MCU everytime either has a new release, Justice League fails on a fundamental level of not having even the slightest of backstory for any of its’ leading characters before mangling them all together, resulting in a complete absence of empathy or willingness for them to succeed in their battle against evil. This of course is down primarily to the heavy handed approach of Warner Bros’ willingness to spurt out the next release as quickly as possible and completely disregard the Marvel approach of taking adequate time in developing its’ leading stars before mixing them into the bigger picture with Justice League just the icing on the cake for a universe which, aside from Wonder Woman, will be tarnished with a reputation of being the laziest big budget franchise in the history of cinema. Harsh you say? Not at all, with Justice League the type of movie which makes Suicide Squad look like The Dark Knight, with obvious weaknesses presenting them all over the place ranging from a non-existent storyline to cringe-laden chemistry between the titular team of indestructible heroes who come together simply for reasons of monetary incentives.
With a villain in the form of the poorly digitally designed Steppenwolf, a character who ironically does somewhat improve on the blood curdling awfulness of Jesse Eisenberg’s Lex Luthor, Justice League’s main antagonist is the epitome of the film’s issues, with heavy plot exposition acting as the character’s only limited development for a villain who too often resorts to Viking-esque growling and cliched fight scenes to come across as anything other as sleep-inducingly dull, and for a character who seems to strike fear into the heart of many of the film’s heroic protagonists, it comes at no surprise that Snyder has once again forged a wholly forgettable leading threat which at not one point manages to match the scale of even the most camp carnival esque qualities of DC’s wacky TV show, Gotham. With too many characters and not enough script for anyone to expand out of their 2D, cardboard box cutout performances, Justice League ultimately wastes its’ extensively impressive cast, with the likes of J.K. Simmons, Jeremy Irons and the outstanding qualities of Amy Adams simply being resorted to window dressing in favour of the likes of Ray Fisher and the inevitable return of Henry Cavill who are simply not good enough in their respective superhero roles. Justice League is seethingly awful, and for a movie which features the worldwide branding of Batman and Wonder Woman, Snyder’s movie is a farce of the highest order and one which laughs in the face of its’ fans by utilising beloved characters simply for reasons of box office projections, and with not enough redeemable aspects in sight, Justice League is the movie which I would think puts the DCEU finally to bed. Thank god for Patty Jenkins.
Overall Score: 2/10
“This Is Mr. Scamander, He’s Lost Something, I’m Going To Help Him…”
Being of an age in which the two main film franchises entwined with my youth was Harry Potter and Lord of the Rings, the knowledge of an extended glance into the land of the former was an interesting premise, albeit a premise which included zero of the franchises’ earlier cast members and a premise which undoubtedly was a huge risk after the success of the earlier movies. Stealing David Yates as director, the man responsible for the last few HP movies, and having J. K. Rowling herself as screenwriter, Fantastic Beasts and Where To Find Them, inspired by the book of the same name by Rowling back in 2001, is a completely new view of the Potterverse, one which takes place in 1920’s New York and follows the menacing tribulations of Newt Scamander (Eddie Redmayne) who, much like the title says, loses a substantial amount of his fantastical beasts en route to Arizona and is then tasked with locating such creatures alongside the “no-maj” baker-to-be Jacob (Dan Fogler) and former Aura, Tina (Katherine Waterston).
Being a solid fan of anything remotely Harry Potter, it comes as a deep disappointment that Fantastic Beasts for me was a resounding mess of a movie, a film which had very little engagement in terms of its characters alongside a strange sense of nonexistence in terms of any sort of narrative which made the film rather tedious at times, particularly during its’ sloggish first hour and the movie’s cop-out conclusion which seemed to have more endings than Return of the King. With the wasting of prestigious talent such as Jon Voight, Ezra Miller and Colin Farrell, the movie focuses most of its’ attention on Redmayne in the movies’ lead role, a performance which takes the fundamental kooky nature of Redmayne and ranks it up to eleven, resulting in a character which was actually rather boring to be with. Whilst the film does boast some creative digital effects and a cute loot-obsessed niffler, Fantastic Beasts can only be described as a mildly inconsequential addition to the lore of Harry Potter, a film which begins the cycle of FOUR more movies with a whimper rather than a bang, and a film which really nosedives with the most obvious twist since Inferno, in the addition of Johnny Depp as the real protagonist of the series. Shame really, as Colin Farrell was one of the film’s positives. For every cloud I suppose…