In a time where remakes and sequels are in constant supply, regardless of the demand, it would be fair to say that George Miller has fully deserved the chance to release another addition into the world of Max Rockatansky, with 30 years passing since the the release of Mad Max III: Beyond Thunderdome, where back then Mel Gibson was still slightly sane, Everton and Liverpool were the dominant footballing sides in England, and Queen were blowing minds during their performance at Live Aid. So now, in 2015, we have Mad Max: Fury Road, with the wonderful Tom Hardy replacing Gibson in the titular role, as well as Charlize Theron and Nicholas Hoult in supporting roles. With Miller himself stating in an interview with Empire Magazine that Fury Road was set to be “big on action and low on dialogue,” it would be foolish to believe that this latest addition to the Mad Max saga was going to be anything other than spectacle. And boy, is it. And some.
Still suffering heavily from the loss of his wife and daughter from the first film, our titular hero Max (Hardy) is captured by the War Boys, the violent army spawn of King Immortan Joe, whose teachings and tyranny have forced the people of the Citadel into poverty and sickness. Once captured, Max becomes a blood bank for illness-strapped War Boy, Nux (Hoult) who follows Joe and the rest of the War Boys into battle with Imperator Furiosa (Theron) after hijacking a war rig secretly containing King’s Joe’s “wives”, each of whom are used for the purpose of breeding. First off, as you can tell from my very short plot synopsis, to say Fury Road is mad would be doing it a huge injustice. It is a film wrapped in a straight jacket whilst shock-therapy treatment is being applied to it throughout. Seriously, what other film includes a guitar-yielding mad man playing heavy metal riffs on top of a truck whilst his equally mad colleagues set about causing endless destruction, all at the speed of 100mph? That’s right, none. The sheer madness of Fury Road is one that shouldn’t alienate the audience at all and instead, should be admired for the sheer bravery of it to not just be another quirky action movie and instead, stick to its’ guns and be something completely different, much like the original was more than thirty years ago.
If ever there was a cult/B-movie hidden in the form of a summer blockbuster, Fury Road would undoubtedly be it, with the violence turned up way past eleven, and the post-apocalyptic view of the Earth being one totally lost in the face of craziness, of which, is worse than any vision of the future that has ever been seen before in Mad Max universe where ironically, Hardy’s portrayal as the slight-spoken titular character is the calmest thing within it. Hardy has always had a knack of brilliantly portraying characters in films that focus on the physical aspect of their demeanour, whether it be Charles Bronson in Bronson or even Bane in The Dark Knight Rises, and it is no surprise that such a gift is fully formed within Fury Road where although there is little in terms of dialogue from Hardy, the sheer physical demands he adheres to from Millers’ 21st century take on Max is more than enough to warrant standing up and applauding. Applause is needed too for the overall look of the film, with the colour palette ranging from the gorgeously vast sand-induced emptiness of the day to the dark, moonlit shadow of the night, whilst the CGI and stunts seemingly outdoing themselves as the film progressed throughout its’ more than satisfactory two-hour runtime.
There was a personal fear of Mad Max: Fury Road being just another action film before I had watched it, but this potential downfall was put to bed as soon as the film started. What Miller has created here is not just another action film, it is one of the greatest, yet strangest and completely bonkers, action movies of recent times and is easily the best yet in the Mad Max canon. If this is the result of a thirty year wait for a sequel, then I am more than happy to wait just as long for the next. Simply brilliant.
I have to say I made a huge mistake before watching Fury road and that is not watching any of the previous Mad Max movies. I would have enjoyed this film so much more if I knew about the earlier Films in the series. So keep in mind that this review is based solely on what I have seen in Fury Road. Fury Road threw me into detailed apocalyptic baron wasteland, Our protagonist, Max has been captured By a group known as the “War Boys” which serve the Warlord “Immorton Joe”. Immorton Joe is somewhat the god of the citadel and controls the only water source in a vast desert wasteland.
Fury Road shouldn’t be labelled as an action film, it should be “THE” action film. This is exactly what action should be a Chaotic symphony of destruction with cars, flames and blood! Despite most of the action taking place around what is initially a truck the fight choreography is amazing and brutal especially to old ladies. What really makes the action shine is the creativity of the vehicle designs and how they use some of the unique design features to fight on.
Something I really enjoyed about this film, was the detail in the culture of the War Boys and their Valhalla worshipping towards Immorton Joe. It seemed that every action that one of the war boys took whether that be my Nux or other War Boys added more to the insanity and brainwashing by Immorton Joe for example spraying their teeth silver to look “shiny and chrome” before trying to become suicidal martyrs in the hopes they will be carried through the gates of Valhalla.
Though Max was intended to be the main character, there seemed to be very little character development throughout the film with Max being a man of very little words however definitely made up for it with thrilling action scenes. However in my opinion he was out-shined by Furiosa mainly because she is what starts the events throughout the film with her stealing Immorton Joe’s wives in the hope of taking them to the “Green Place”.
The only negative I had when I was watching the film was the CGI. Luckily there was very little of it apart from the enormous dust storm which did look amazing, however near the end of the film they used a CGI steering wheel that was coming towards the camera as a transition between shots and it really broke my immersion not only because the CGI looked awful but it just wasn’t necessary they could have just faded to black or had rock cover the screen and it would have been perfect.
As you can tell I loved this film yes there was little character development for Max, apart from what we assume is the death of his daughter however nothing else was needed. All we needed to know was that he is awesome and bad ass. The action is amazing creative with raw destruction and apart from a few CGI issues there was nothing wrong with this film and I look forward to watching the previous films and new ones to come.
I’m in the same sinking boat as Josh. A member of the audience with no experience of the original trilogy and I’m ashamed that I never got around to watching it. I’d call it excusable but now, I’m excited to get my teeth in. Aware of the story and basic points of its predecessors, the reveal trailer for this monster had me excited (wink wink). Tom Hardy, explosions, gore, violence and incredible vehicles had me drooling from the start and if you’re reading this and have yet to see this movie, you should probably have left half way through Dan’s introduction.
Rather than babble on, lets get down to business. Fury Road brought a soap box to the convention of movie goers, threw it as Sylvester Stallon and his loaf of bread, pissed on his foot all while making him their little bitch. Expendables? Pffft. Rambo? Pfffft. George Miller isn’t afraid of you. He’s got Mad Max. A crazy SOB with a predisposition to kill shit.
The movie rocks. It rocks harder than Dwayne Johnson. The action is like nothing I’ve seen before. The practical effects were incredible and it must be said, the stunt crew must drag their nuts around in wheelbarrows because the shit they were pulling is next level. Often the difference between CGI and practical is difficult to distinguish which is incredible work by the department, apart from the 80’s transitional effects of Max’s daughter. That stuff was a little weird and outdated in context. I can’t actually pick a favourite between any of the visual effects. The microsecond glimpse of someone’s ribcage opening, the crazy costumes, the big balled stunt crew or the astonishing selection of vehicles. Its a V8 ratters wet dream and I want to be part of it, so much so, I’m going to buy myself one…So click that big Razer sign to the right and fund my new hobby!
Ahem, enough of this plug. The guys have given you a stellar report of the movie. I’m tagging in merely to extenuate their points. Visual effects were top gear, the acting was perfect and the characters were just insane, in a good/bad kinda way. A man with elephantiasis repping a dapper waistcoat with nip holes for his blinging nipple tassel hip-hop chain and dude who should really be DC’s newest Joker what’s not great about that!? But lets be honest, those milk udder women were just plain freaky.
Sure, there are a couple things I have issues with. Its suffered from the Hobbit 2 syndrome where it went from Ultra Mega 8 Billion K cameras to a crappy 10MP compact with dust on the lens and a scene where Max tells the crew to move on while he goes Hulk only to return to the exact spot a cut later. Otherwise, what else can I complain at? Well, apart from the fact that it ended.
In an unpredictable story of survival, Mad Max: Fury Road is a movie that won’t last for just a year. It’ll drop into the books as one of the biggest and best movies of our generation and cement Mad Max at the top of the food chain. BRING ON THE SEQUELS!
Overall Score – 9/10