“I’m Going To Try And Conduct Myself In Such A Way That Does Not Risk Global Humiliation…”
Mixing together the almighty and Oscar winning talent of Charlize Theron (Mad Max: Fury Road) with erm, Seth Rogen, (The Interview) Long Shot is the latest from American filmmaker, Jonathan Levine, who reunites with Rogen after their work together on the 2011 comedy drama, 50/50, for a romantic comedy which attempts to balance political and social satire with a well-worn tale of unlikely and improbable love. Based around a screenplay from the double-act of Liz Hannah and Dan Sterling, famous for their individual work on the likes of The Post and The Interview respectively, Long Shot is that rare sight in contemporary cinema, an American comedy which actually works, and whilst the central romance at the heart of the story does indeed venture into gargantuan levels of cliche come the end of the almost two hour runtime, Levine’s movie works predominantly elsewhere, with a mix of knowing, and at times, strikingly unintentional, modern-day satire, pleasantly supplementing a likeable and utterly charming core relationship, one which gleefully bursts with volcanic levels of chemistry and pushes the final product into something which although might not be at all memorable, is rather enjoyable.
Coined in the trailer by one of the film’s supporting actors, the one and only, O’Shea Jackson Jr., (Straight Outta Compton) as having a very familiar central narrative to that of Garry Marshall’s 1990 classic, Pretty Woman, Levine’s movie at least jumbles up the profession of the leading characters, with Seth Rogen’s Fred Flarsky not exactly the first person to come to mind when it comes to the prostitution business, with him instead being landed with the role of an idealistic, rough-edged journalist with a penchant for thinking out loud, a character trait of which soon finds him unemployed and penniless. Enter Theron’s Charlotte Field, the highly popular Secretary of State with eyes for the presidency who in her earlier teenage years used to babysit a young and lovestruck Flarsky, and the two suddenly reconnect after Field utilises Flarsky’s innovative written word to boost her appeal to the American public. With worldwide trips on the menu, the two suddenly become attached to each other by the hip, resulting in the film’s central and heartwarming romance, and with an abundance of hilarious set pieces, including one of the best inverted sex scenes in cinema history and a heavy night on the town which results in a majorly mistimed hostage negotiation, Long Shot goes along way to make you care for the film’s characters, and even with a runtime which does slightly drag come the final act, Levine’s movie is a solid slice of American comedy cheese with added Charlize Theron.
Overall Score: 6/10
“What I Need Is An Amazing Adventure…”
In a world where American comedy is usually as effective as a chocolate teapot, Amy Schumer undeniably is up there with the worst that particular side of the continent has delivered over the course of the past few years, with her venture onto the big screen with releases such as Trainwreck burdening millions with her screechy Americanised tones and hysterically dull sensibility which really doesn’t compute with my idea of an effective comedic personality, particularly in a day and age in which memorable comedies are quite hard to find. Co-starring this week in Snatched with Hollywood legend Goldie Hawn, mother of Kate Hudson and partner to the awesomely cool Kurt Russell, Schumer once again proves that her particular brand of comedy just doesn’t work within the cinematic atmosphere, resulting in a performance which ultimately solidifies the notion of her inability to create laughs through a tired and cliche-ridden narrative which attempts to turn the vulgarity up to eleven in order to distract the audience from the utter boredom which encompasses the events on-screen. Goldie Hawn, what on Earth are you doing in this movie? I guess a gas bill must be due sometime soon. Ker-ching indeed.
After being dumped by her rock and roll boyfriend, Schumer’s unbelievably annoying leading character decides to make the most of her pre-planned trip to South America by inviting her feline-loving mother (Goldie Hawn) with a penchant for over-protection and questionable sculpturing techniques. Cue loud and completely unnecessary scenes of alcoholism, party music and nudity, Snatched is the type of 21st century so-called “comedy” which adds to the argument that the good times have most definitely come and gone in regards to its’ respective genre. Whilst Hawn seems to be there only for the sake of financial inducement, the film really doesn’t paint a sympathetic picture of its’ leading character, resulting in a warped sensibility which desires her captors to actually go through with their sickening plan and dispose of their prisoners as swiftly as possible. If this was indeed the case, the audience would have been spared from a 90 minute bore-fest whose only redeemable character is the poor U.S state department official who gets forced to help save their lives. Maybe next time mate, just forget the rescue and leave them to it.