“I’d Like Very Much To Write About You. Your Society…”
Winning the award for most convoluted title of the year so far, Four Weddings and a Funeral director, Mike Newell, returns with The Guernsey Literary and Potato Peel Pie Society, a big screen adaptation of Mary Ann Shaffer and Annie Barrows’ 2008 novel of the same name which sees Lily James’ (Cinderella) awfully well-spoken but deliriously likeable Julie Ashton, a well-to-do and moderately successful English writer, venture over to post-war Guernsey in order to embed herself into the titular organisation as research for her next literary project. With a cinematic sensibility which reeks of similarity when it comes to moderately successful contemporary Second World War dramas including Their Finest and Churchill, Newell’s latest is a ridiculously twee and wickedly harmless romantic drama which revels in its’ overt Britishness and an unbelievably predictable and paint-by-numbers screenplay, one which seems to be primarily designed to please audiences admiring the film with a slice of cake and cup of Earl Grey on a light and breezy Sunday afternoon.
With an opening twenty minutes which introduces James’ Ashton, the audience is made privy to her recent literary successes and close separate relationships of professional and personal boundaries with both the attentive, publisher figure of Matthew Goode’s (Stoker) Sidney and the charming American soldier, Mark Reynolds, as played by Everybody Wants Some!! highlight, Glen Powell. After receiving a letter from Michiel Huisman’s (Game of Thrones) farmer type, Dawsey Adams, under the umbrella of the titular gang of Guernsey residents however, Ashton swaps war torn central London to the rural heart of post occupied Guernsey where she attempts to unravel the mystery of Jessica Brown Findlay’s (Black Mirror) missing society founder, Elizabeth McKenna whilst slowly falling for the rough and rugged winner of most attractive cinematic farmer ever in the form of Huisman’s Adams. With a supporting band of merry well versed actors including Penelope Wilton (Doctor Who) and Tom Courtenay (45 Years), Newell’s movie never alleviates from being anything other than perfectly fine, and whilst at times the predictability weakens the film’s final product, the film forever linked with one of the worst titles ever just about ticks over.
Overall Score: 6/10
“Being Good At This Job Isn’t Very Beautiful…”
Brad Pitt. Marion Cotillard. Robert Zemeckis. Add into the mix screenwriter Steven Knight, best known for Eastern Promises and Peaky Blinders alongside a range of lesser work such as Burnt and last years’ unbelievably dire Seventh Son, and Allied could be regarded as a much anticipated meeting of the majestic, with all factors of the film’s main quartet being able to hit full stride when needed. Unfortunately for Zemeckis and co,. Allied isn’t exactly a work of cinematic art, in fact, it is far from it, with the film’s impressively strong beginning being offset by a shabby middle and end, alongside some strange plot decisions and an ending so fluffy it wouldn’t be amiss in a Disney movie. As for the film’s narrative, Allied follows the relationship of Max (Pitt) and Marianne (Cotillard) who fall in love after their success during a mission within German-occupied Morocco in the height of the second world war. After returning to London, Max is told some grave news regarding his recently wed wife, grave news which shakes his life to the core.
As is the perils of modern day cinema, if you’ve seen the trailer for Allied, which wouldn’t be much of a surprise seeing how it seems to be absolutely everywhere at the moment, you’ve basically seen the majority of the film, albeit the movie’s climax, a climax which isn’t entirely much of a shocker in itself, and this is a fundamental issue regarding the film’s overall quality. IF the big reveal wasn’t blasted at the audience before they’d even set foot into the cinema, maybe the attraction of Allied would have been less so but this may have been made up for in terms of shock factor when the reveal was made in the actual film. Who knows, and more importantly, who cares. Allied isn’t the best work to come from the likes of Robert Zemeckis, the man behind fantastic work such as Back to the Future and Forest Gump, and instead is rooted somewhere between the likes of What Lies Beneath and The Walk. A solid, if rather hokey, thriller sums up Allied but hey, hokey is good sometimes.