“You Asked Me How Far I Would Go To Protect My Country. Whatever It Takes…”
It comes across wholly ironic that in a week in which we see the big budget release of Alien: Covenant, the sequel to 2012’s Prometheus and a sequel in which does not include the wholly reliable face of Noomi Rapace who declined to participate, that the Swedish born actress turns up in Unlocked, an action-packed spy thriller directed by Michael Apted, perhaps most famous for the Pierce Brosnan led The World is Not Enough, and the type of movie which belongs entirely within the realms of straight-to-DVD mediocrity. Of course, the coincidental notion of these two films being released side by side might not mean anything whatsoever, but in terms of further advancing the career of Rapace, it doesn’t exactly compute why such an esteemed actress chose Apted’s laughably poor action raspberry of a movie rather than the Ridley Scott led sci-fi epic, a movie which although is nowhere near a masterpiece in its’ own right, when put up against Unlocked comes across as some kind of 21st century work of art. With a cast which indeed includes the likes of Rapace, John Malkovich, Toni Collette, Michael Douglas and Orlando Bloom, yes, Orlando Bloom, Unlocked does boast an incredibly strong payroll but with a narrative which is woeful as it is unintentionally hilarious, Apted’s latest is perhaps the least enjoyable time I’ve had with an action flick since, well, last week’s Sleepless. Not exactly a strong week for films.
After stumbling into a double crossing, trust bending, terrorism plot, Noomi Rapace’s shock-filled London based CIA agent is thrown violently back into the fold, shooting her way through building after building in order to establish the real play-makers behind a massive biological threat. Cue exposition galore, over-dramatic cameo performances and plot strands which edge of the side of cinematic malpractice, Apted’s real ace in the hole comes in the form of Orlando Bloom who appears half way through the action, conveying the tattooed, grungy, untrustworthy ex-jarhead who enters with a gold pass into the hall of worst cockney accents ever alongside Don Cheadle and Dick Van Dyke who are there to keep him company in the ways of mastering the voice of the East-End. Not only does Bloom win the award for worst cameo of the year so far, his character ultimately is entirely inconsequential to the extent that his existence is some form of contractual agreement to allow Bloom to garner a quick pay check after seemingly disappearing into thin air over the past few years. Unlocked is obviously awful, and although the narrative does threaten to entertain around the twenty minute mark, Apted fails to hold such attentive themes and constructs an action flick so poor that you pray for the likes of Gareth Evans to direct every action movie ever from now on.
Overall Score: 3/10
DAN – With the release of Peyton Reed’s Ant Man this week, the mammoth of a machine that is Marvel continues to ever-grow and seemingly swallow everything in its’ path, regardless of the competition at hand. With Comic Con last week seemingly handing the hype trophy over to DC due in part to the explosion of Batman and TV related goodness, cast interviews and movie trailers, particularly that of the eagerly anticipated Suicide Squad, it seems obvious that DC are staging an attempt to sway the Marvel machine off its’ course for the time being even though they still hold the award for best comic-related movie ever in the form of The Dark Knight. So with DC winning the hype-race at Comic Con, Marvel have seemingly decided to take a seat back from the fire-fight for the time being and allow us to revel in the formation of a new Avenger in the form of Paul Rudd’s Scott Lang, the incarcerated criminal who unwillingly undertakes the role of Ant Man under the guidance of Micheal Douglas’s Hank Pym, a retired former S.H.I.E.L.D agent who had once previously been the occupier of the famous Ant Man suit. Where before Marvel films have seemed to undertake a very similar, formulaic layout, Ant Man points more towards the spectrum of Guardians of the Galaxy, particularly in terms of its’ high comedic value, something of which makes Ant Man one of the most enjoyable Marvel entries so far, and ultimately concludes Phase Two of the MCU in a rather cool and collective fashion.
The entire reason for why Guardians of the Galaxy succeeded so well last year was the unexpected turn it took from the rather similar and over-used Marvel film blueprint for almost all entries in the MCU up to its’ release, with it combining a underlying comedic element and self-mockery to the fundamental questionable concept of a team of heroes that combined a tree and a talking raccoon. Add in a scorching soundtrack and a well-chosen cast, Guardians of the Galaxy truly was one of the highlights of last year, let alone in its’ own expandable universe, and Ant Man swiftly follows suit by once again being another Marvel related success which combines a huge riff of comedy, due in part to the influence of Edgar Wright and Joe Cornish who left half-way through production, and a wonderful cast, strongly spearheaded by the one-two of both Rudd and Douglas. Compared to the spectacle of most MCU-related movies, it was actually quite refreshing to see Ant Man take more of a low-key approach, with the action only really taking place in the final act of the film after some interesting and highly enjoyable character development in the first two-thirds, with scenes in which the miniaturisation was used in a hugely comical manner being one of the many highlights of the film.
Other highlights of the film included Ant Man’s accidental meeting with a fully-formed Avenger and the way the film included Easter Eggs and references to the MCU, particularly its’ attempt to signify its’ move away from the Avengers with Pym’s statement of them being busy “toppling a city somewhere”, rather tongue-in-cheek at the destruction caused in Age of Ultron. Such levels of destruction thankfully cannot be attributed to Ant Man however with the biggest moment of chaos being caused by an enlargement of Thomas the Tank Engine in a scene with produced chuckles from the entire screening audience. In terms of the problems, Ant Man does seem to bear resemblance to Guardians a bit too much resulting in a lack of freshness from Marvel’s POV, particularly when the latter was only released last year, whilst the plot thread of the Quantum Realm seemed a bit too rushed and jack-hammered in to be truly interesting. All in all however, Ant Man succeeds in being a rather entertaining and much welcomed entry into the MCU, and in my opinion beats Age of Ultron for best Marvel film so far this year. Up next, Fantastic Four. What a time to be alive.
Dan’s Score: 8/10
PETE – Dan has hit the nail on the head. Ant-Man was another one of the MCU’s films that honestly looked a bit naff. The trailers were lacking and it felt like the whole movie was pretty much summed up within them, yet like Guardians of the Galaxy, it was a huge surprise. The journey of an ex-con turned superhero was fantastic. Instead of dropping you into a story with characters who know their powers, their limits and strengths, we actually see a someone become a hero who doesn’t have infinite wealth or training to begin with.
The story was great fun. Ant-Man always seemed a but dull to me but Marvel have the uncanny ability to create characters that are so likeable and fun that make me want to run down to the comic store and dig into the back catalogue for a little more. Now as I haven’t seen anything involving Ant-Man, I can only say that I enjoyed the portrayal I saw, whether it is accurate or not. Paul Rudd simply doesn’t age and I’m sure for many years to come we could see him playing this role because he was great fun. His comedic wrap sheet means that he can execute lines on a whim and be extremely convincing doing so. Its the character that he can embody. Yet, considering Ant-Man is supposed to have a master degree, we really don’t see much about this at all but hopefully we can see it in his next outing.
It makes me wonder how people become evil in the Marvel world. The claims of righteous acts aren’t enough to justify it for me. When you watch a massive city/town lifted into the sky and the Avengers destroying this giant threat, why would you honestly think that your squishy body has any sort of chance. The ending for said villain was rather quick and honestly it felt a little rushed. The sequence was fantastic fun but it was to short compared to the entirety of the movie but nevertheless, it isn’t the typical way we see Marvel villains go and is rather liberating to see it so.
Marvel are great when it comes to visuals but it does feel as if Ant-Man’s budget was a little smaller in the CGI department as all the backgrounds in the miniature scenes lacked fidelity as looked very fuzzy. As for the rest, the ants look awesome and the giant scenes tended to uphold the general trend set by Marvel. The music was on point and the action was explosive and funny all at once. Is it better than Guardians? No. Is it worth your time? Hell yes. Its great and I really can’t wait until he makes an appearance in other instalments and we get a lot more cameos. PS – That SHIELD cameo was pretty damn epic! 8/10!
Overall Score – 8/10