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Whilst sniffy critics in the past have balked at the idea of “classic” horror movies being brought back to the big screen in either a spin-off or complete remake capacity, with the most pointless and offensively bad cases come the turn of the century undoubtedly being the likes of The Texas Chainsaw Massacre and A Nightmare on Elm Street, it’s fair to say that 1988’s Child’s Play is a movie which isn’t exactly held in the same esteem as classic works from the likes of Wes Craven or Tobe Hooper, hence an almost absence of complaint following this week’s release of the similar titled remake/reboot. Directed by Norwegian director, Lars Klevberg, in his big screen directorial debut, Child’s Play couldn’t come at a more ironic time, arriving side-by-side with Disney’s Toy Story 4, yet obviously not the type of film to take your small children, and with a particularly impressive cast including Aubrey Plaza (Ingrid Goes West, Legion) and Tyree Henry (Widows), the latest reincarnation of the kill-crazy toy is actually a rather highly enjoyable, dare I say it, guilty pleasure.
With central idea of Child’s Play essentially being a Goosebumps style, late-night nightmare with R-rated violence, the many sequels which followed the 1988 original didn’t exactly manage to set the world on fire, with the series sort of matching the Puppet Master franchise for baffling levels of endurance, but with a improved financial backing and the likes of Plaza, Henry and of course Mark Hamill (Star Wars) as the voice of Chucky himself added into proceedings, there is no doubting the ambition of the movie to try and break into the mainstream sector once again after falling by the wayside and on straight-to-video. With juicy moments of exploitation violence, a justifiably naff script and enough tonal irregularities to make your head pop, Klevberg’s movie follows on from the likes of Brightburn only recently by being a movie which knows both its’ limitations and weaknesses and plays heavily to both, resulting in having just enough quality to appease hardcore horror fans and lay audience members alike, particularly thanks to the new design of Chucky which manages to tap into contemporary concerns about the growing rate of technology. Hereditary it most definitely is not, but if you’re after cheap, Friday night horror violence, then Child’s Play circa 2019 is indeed the movie for you.