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Film Review: Ralph Breaks the Internet

“And Now For The Million Dollar Question: Do People Assume All Your Problems Got Solved Because A Big Strong Man Showed Up..?”

Continuing on from 2012’s highly entertaining animated spectacle, Wreck-It Ralph, Walt Disney Animation Studios’ latest venture sees the return of the titular well-meaning and reluctant arcade game villain, voiced once again by the one and only John C. Reilly (We Need To Talk About Kevin), who continues his blossoming relationship with Sarah Silverman’s (Battle of the Sexes) bubblegum racing princess, Vanellope von Schweetz, in an adventure which follows the atypical cliche of most movie sequels by offering something bigger, bolder and particularly in the case of Ralph Breaks the Internet, a movie which thrives on being rather quite barmy. Directed by the working couple of the returning Rich Moore and Zootropolis screenwriter, Phil Johnston, the second installment in the Ralphverse pretty much continues on from where its’ predecessor ended, with Ralph, Vanellope and the motley crew of arcade game characters carrying on with their wildly colourful existence within the confines of a universe full of retro throwbacks and particular designs which seem to make certain fanbases in the world giggle with utmost joy when seeing their favourite characters appear on the big screen. Wowed by the introduction of the unpronounceable “WiFi” plug which is brought into the arcade by the aged, behind-with-the-times owner, Ralph and Vanellope soon journey into the the new area after the latter’s game, Sugar Rush, is unplugged due to an accident indirectly caused by Ralph himself.

Whilst the central storyline to Ralph Breaks the Internet undoubtedly fails to be as straightforward, streamlined and easy to follow as its’ predecessor, moving from one plot point to another and then to another again in the spirit of George Lucas at his insufferable worst, the most surprising aspect of the movie is the almost uncanny similarity to the truly awful, The Emoji Movie, with varying familiar themes regarding on-the-nose product placement and the darker, seedier side of the world wide web all bringing to mind how terribly wrong everything involved with that particularly movie ultimately became. Fortunately for Ralph and co, Disney’s attempt proves much more successful, blending the wide range of internet-based notions to a much more effective degree which even manages to suppress the annoying factor of the obvious advertisement, and with crisp, well designed and admirable animation to soak up, Ralph volume two is rife with astronomical levels of detail including numerous, off-centre comedic asides which in a similar vein to The Lego Batman Movie, will undoubtedly require subsequent viewings in order to locate every single easter egg on offer. With effective guest voice actors including Gal Gadot (Wonder Woman) as a Death Race inspired, super-cool racing driver and Taraji P. Henson (Hidden Figures) as a social media obsessed entrepreneur, a trippy final act filled with animation spectacle at its’ finest and a particular scene involving Disney Princesses which is the finest animated comedic set piece since everything involving Jack-Jack in The Incredibles 2, Ralph Breaks the Internet is a more than adequate sequel which ticks all the boxes for all-round family friendly animated adventure.

Overall Score: 7/10

Film Review: Zootropolis

“It’s Called A Hustle Sweetheart…”

And finally, here we are at last. The showdown between two heavyweights. The greatest battle ever to have graced this crazy world. That’s right guys, it’s Zootropolis against Batman V Superman. Disney against Warner. Bunny against Bat. See what I’m getting at? Good, I’ll stop now. Continuing the riveting success of movies of the animated variety over the course of the past few years or so is Disney’s latest pet project (No pun intended) Zootropolis, a film proud enough to stand toe-to-toe with BvS in hope of snatching that esteemed number one spot in the top ten list come the end of the Easter Holidays. If money doesn’t speak volumes to you however, then the critical concentration of the two films is the thing you may indeed be looking at, with Zootropolis being leagues ahead in terms of overall quality in comparison to the Batman behemoth, with laughs being rife all the way though it’s Chinatown-esque mystery themes and nods to the adult variety which will bound to leave all audiences leaving the cinema with a smile. And a new annoyingly catchy song to hum to.

Leaving the carrot-harvesting life of her surroundings, optimistic young rabbit Judy Hopps enrols within the Police Recruitment program whereby she is reassigned to the vast and sprawling city of Zootropolis after graduating top of her class and having the esteemed reputation of becoming the first rabbit to do so. Although beginning life as a lowly traffic warden, Judy soon becomes unravelled in a kidnapping plot and with the help of fox con-artist Nick Wilde, she attempts to uncover the deep, dark secrets surrounding the cities anthropomorphic lifestyle. Featuring fantastic visuals and a incredible voice cast including the likes of Jason Bateman, Idris Elba and Ginnifer Goodwin as the young Officer Hopps, Zootropolis manages to encapsulate all the things that make animated movies the success that they are, with well-timed jokes cracked left, right and centre whilst the well-designed characters are crafted with more-than-enough detail to keep all the little ones interested and engaged. Although it perhaps doesn’t include the same wonder factor of last years’ brilliant one-two of Inside Out and Song of the Sea, Zootropolis is indeed a brilliant addition to the Disney canon, one in which I could watch again and again and continue to smile. Oh yeah, and that Shakira song is damn catchy.

Overall Score: 8/10