“You Gave It All To Her, Right In Front of Me…”
Tackling the ridiculously difficult genre of the erotic thriller for a debut picture, new kid on the block, Denise Di Novi, seems to have gone full flow with the notion that to get somewhere quickly, the hardest options are sometimes the best to get out of the way. In regards to recent depictions of such a genre, within this year even, the widespread level of excellence ranges from the utter shoddy in the form of the Fifty Shades franchise to the interesting and brilliantly executed, with Elle and Park Chan Wook’s The Handmaiden being top-end depictions of eroticism upon the big-screen, helped primarily from scripts which attempt to shake up the format and offer something original instead of simply falling into the pot of generic silliness. Unfortunately for Di Novi, Unforgettable is the type of movie which you question how it actually managed to make it onto the big screen with it clearly being the type of erotic thriller that is destined for the clearance DVD bin in your local supermarket sometime in the near future, yet with star power in the form of Rosario Dawson and Katherine Heigl holding down the fort, Unforgettable is passable, generic popcorn nonsense which ticks all the boxes in a manner which is both swift and unoffensive.
Whilst the trailer for the movie conforms to the common issue of giving away not just the main bulk of the movie but indeed the entire bleeding plot, Unforgettable comes across as representing itself as the 21st century model of Basic Instinct, yet without the shore footing of Elle director Paul Verhoeven in its’ corner and without the iconic image of Sharon Stone as the film’s leading bunny boiler. Replacing Stone in such a role is Katherine Heigl, the plain faced barbie doll who takes the character of the kooky and wholly obsessive ex-wife and completely runs with it. demonstrating the idea that girls with slicked back hair and a penchant for cleaning silver utensils are without question a grade A psychopath. On the other side of the court is Rosario Dawson’s leading heroine, a character who through a wide range of questionable decisions ends up battered, bruised and completely ostracised from her newly found fiancee throughout the course of the movie in a manner in which is meant to exert a sense of tension from the audience, an audience which are way too clever and knowing to see where the entire plot is heading straight from the outset. The Handmaiden it ain’t, Unforgettable is ironically, quite forgettable and is saved primarily due to its’ two leading stars which prevent the film from disappearing into nonexistence forever.
Overall Score: 4/10
“Hey Batman! I’m Rubbing My Butt All Over Your Stuff! Gonna Have To Rename This The “Buttmobile”…”
A few years back, the appeal of an animated, feature-length Lego movie did indeed falter at first input into my mind, with the only response to the existence of such being an unashamedly sarcastic giggle, a response which in hindsight was one of undeniable small-mindedness considering the monumental success of The Lego Movie back in 2014 and the irritable notion of walking out the cinema singing “Everything Is Awesome” for the foreseeable future, which in itself resulted in astute looks of bewilderment from those within my singing range. With power however comes great responsibility and more importantly, a sequel, a sequel which this time focuses primarily on the Caped Crusader himself and a sequel which continues the sharp, witty standards set by the original whilst successfully improving upon its’ predecessor by being a much more relatable and comedically astute animated offering. Being a huge fan of Gotham’s most infamous export anyway, The Lego Batman Movie is an undeniable universal success, providing a steady output of eye-boggling animation for the younger viewers as well as a rafter of constant jokes to keep the older audience smiling from beginning to end.
With a lightning-fast string of laugh-out-loud quips, puns and nods to the world of comics throughout its’ more than satisfactory ninety minute runtime, The Lego Batman Movie is a movie which lays to waste most so-called comedies of recent years, relying on a mixture of gold-plated one-liners and animated slapstick amidst a narrative which obviously verges on the edge of absurdity from the get-go, one which features a broken hearted Joker and a selection of infamous villains from a wide range of different universes such as Harry Potter’s Voldemort, Sauron from The Lord of the Rungs, and my personal favourite; the Daleks, all of whom team up against the most egoistic yet unrelentlessly hilarious incarnation of Bruce Wayne yet, one which gives Christian Bale’s portrayal a run for its’ money. Whilst the film does become too fast-paced at times, with the structure so relentless you live in fear of missing certain jokes and particular Easter eggs, The Lego Batman Movie is a superb and mightily entertaining piece of cinema, one which not only adds to the argument of the current golden age of animation but one which will result in you never watching any other Batman movie in the same way ever again. Everything is awesome once again.