“What You Did To Me, It Never Goes Away…”
With Blumhouse Productions essentially proclaiming themselves as the second reincarnation of Hammer Horror Studios, the likes of the excellent, Get Out, and the financially successful, Happy Death Day, have allowed the company to pretty much make anything they want with a guaranteed box office reward. Enter Ma, a completely barmy, over-the-top stalker horror which takes hints from pretty much every single B-movie ever, one which sees Octavia Spencer (The Shape of Water, Instant Family) as the titular mother figure, Sue Ann, a lonely veterinary technician who soon begins a middling friendship with town newcomer, Maggie Thompson, as played by rising star, Diane Silvers,(Booksmart) and her own freshly found group of friends who quickly become attracted to Sue Ann’s willingness to both provide an abundance of alcohol and a safe place to party. Directed by the steady hand of Tate Taylor, a filmmaker who reunites with Spencer after their work together on the Academy Award winning, The Help, Ma is a solid and well made addition into the Blumhouse repertoire which just happens to have a particularly talented actress in the lead role of a genuinely unnerving and creepy genuine psychopath.
Bearing a very similar narrative to that of Greta earlier this year, a stalker movie which too featured a prominent and well regarded actor/actress in the lead role of a movie which was undoubtedly too schlocky and mad for mainstream audiences, Ma basically swaps Isabelle Huppert for Spencer and Chloe Grace Moretz for Silvers whilst adding a slightly more audience-friendly filmic texture. Whilst the movie never really evokes any sense of longing dread or threat to our laddish, alcohol and sex obsessed leading group of rebellious teenages, Ma instead balances nicely the absurdity of its’ narrative with a hefty streak of black comedy as you giggle your way through a ninety minute picture which allows Spencer to not only chew the scenery, but devour it. With the most menacing on-screen haircut since Javier Bardem in No Country for Old Men and a personality which mixes Annie Wilkes from Misery with Nurse Ratched from One Flew Over the Cuckoo’s Nest, Spencer is undoubtedly the star turn within the movie, and with a couple of truly nasty, sadistic and memorable set pieces, Ma is not exactly groundbreaking, but with enough positive elements to make genre fans happy, the latest Blumhouse chapter is cheap, giggle-inducing fun.