“Life Is About More Than Just Survival. We Were A Family. Dysfunctional, Sure, But What Family Isn’t…”
How a lot can change in the world of cinema in just one decade. Since the release of the first Zombieland back in 2009, Emma Stone has picked up a much deserved Academy Award, Woody Harrelson stunned audiences with a career-best performance in the first season of True Detective and Jesse Eisenberg has become more and more of a sanctimonious asshole after winning plaudits for his central role in the outstanding, The Social Network and then bombing any chances of redemption after delivering one of the worst villainous performances in the history of cinema in the awfully misguided, Batman Vs. Superman. Forever placing itself in the hearts of cult movie fanatics since its’ initial release, the world of Zombieland returns with Double Tap, a movie which finally hits the big screen after years of development hell and one helmed once again by returning director, Ruben Fleischer, whose exploits since the original movie have included the vacuous and noisy double bill of Gangster Squad and Venom. With jokes aplenty, some juicy comic violence and an erratic, lightning-fast pacing, Fleischer’s movie is exactly the movie you think it is, and an enjoyable one at that.
Whilst there is some degree of a central narrative at the heart of the movie, one involving our four horsemen (and ladies) of the apocalypse splitting off from each other in search of individual life decisions, Double Tap is without doubt more interested in set pieces, set pieces involving smart, sarcastic and well timed comedic gags during the heat of the battle against the hordes of the undead who make their way into the storyline when absolutely needed. With particular gags from the original being repeated, including the well-versed “zombie rules” utilised as a recurring flashpoint and the mighty Metallica returning to boost the soundtrack’s awesomeness, Double Tap is far from original, and whereas the original was essentially America’s answer to Edgar Wright’s superior zombie classic, Shaun of the Dead, Double Tap concludes with the most Americanised and overly ridiculous climax ever seen in a zombie flick. With the cast being supported by excellent supporting cameos including the scene stealing, Zoey Deutch (Everybody Wants Some!!) and a weird post-credits sequence involving Bill Murray (Groundhog Day), Double Tap is perfect Friday night nonsense, with emphasis on the nonsense.